Haha Dolly.....you make me laugh only because you think you are the only intellectual here. Gary Gary Gary
You are hilarious. Really Dolly, you are
Lesley Ann Downey Tape Transcript - one of the Moors Murders victims (1 Viewer)
- Thread starter Culeradi
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You are so hardcore
Haha jeeezus. You......you Dolly are pretty special. You make me laugh.
2+(3x 47) x 27-(31)
Soppy_Cow
I'm one soppy cow!
What we have to remember in all of this, is that fruitloop Longford refusing to believe that Hindley wasn't responsible, that she was under the influence of Brady and therefore should be released.[I don't know if i'm posting it on the right forum. If not - sorry for that.]
Moors murders - Wikipedia
en.wikipedia.org
This is the full Lesley Ann Downey tape transcript taken by Leonard Milner, a shorthand typist of the Supreme court in 1966. I didn't found anyone posting it on goregrish yet, so I decided to post it myself. The transcript was provided from (now deleted) Schadenfreude. blog.
The original tape will probably never be released to the public. I've tried to include as much information in this post as I could, but also to keep it short.
Here's a quote from Wikipedia of what happened:
"Brady and Hindley visited a funfair in Ancoats on 26 December 1964 and noticed that 10-year-old Lesley Ann Downey was apparently alone. They approached her and deliberately dropped some shopping they were carrying, then asked her help in taking the packages to their car, and then to Wardle Brook Avenue. At the house Downey was undressed, gagged, and forced to pose for photographs before being raped and killed, perhaps strangled with a piece of string. Hindley later maintained that she went to fill a bath for Downey and found her dead when she returned; Brady claimed that Hindley killed Downey. The following morning Brady and Hindley drove Downey's body to Saddleworth Moor, and buried her—naked with her clothes at her feet—in a shallow grave."
Transcript;
Man - This is track four.
Man - Get out of the fucking road.
Man - Get in the fucking basket.
(sound of door banging)
(crackling noise)
(footsteps-heavy)
(steps across the room and then a recording noise followed by blowing sound into the microphone)
(Footsteps)
Woman - (Voice quiet, unreadable)
(footsteps, light, walking across room; whispered conversation at the same time)
(footsteps)
(speech, distant, containing word 'upstairs'; then two footsteps)
Child - (screaming) Don't. Mum--Ah.
Woman - (whispering) Come on.
(footsteps)
Woman - (whispering) Shut up.
Child - (pleading) Oh, please.
Child - Oh. (then faintly) Help - oh.
Child - Help. (followed by gurgling noise)
Woman - Sh. Sh.
Woman - Shut up. Shut UP.
(Screams and gurgles)
Child - Oh. Oh. Oh. (child crying)
Woman - (whispering) Keep - and you'll be all right.
Woman - (whispering) Go on.
(Quick footsteps mounting stairs, then entering room)
(Child crying, muffled)
Man - (whispering) Here.
Woman - Hush, hush. Go on.
(woman speaking, unreadable)
(Child crying)
Woman - You are all right. Hush, hush. Put it in your mouth - hush and shift that hand.
(child crying)
Woman- Put it in your mouth and keep it in and you'll be all right.
Woman - Put it in, stop it.
Woman- If you don't--shh.
(child crying)
Woman - In your mouth. Hush, hush. Shut up or I'll forget myself and hit you one. Keep it in.
(Child whimpering)
Man - Put it in.
Woman- (Spoken quickly) Put it in.
Man - (speaks, but words unreadable except for the word 'hand')
(footsteps)
Man - Put it in. Keep it in. Stop it now. Stop it now.
Woman - I'm only doing this and you'll be all right.
Woman - Put it in your mouth. Put it in--in.
(further words spoken by the woman which are unreadable except for 'put it in')
Woman - Will you stop it, stop it.
(womans voice unreadable)
(Child whimpering)
Woman - Shut--
Man - Quick. Put it in now.
(Child whimpering)
(retching noise)
Man - Just put it in now, love. Put it in now.
(retching noise)
Child - (muffled) What's this in for?
Man - Put it in.
Child - Can I just tell you summat? I must tell you summat. Please, take your hands off me a minute, please, please-- Mummy--please.
Child- I can't tell you.
(Grunting)
Child - (in quick sequence) I can't tell you, I can't breathe. Oh.
Child - I can't--Dad-Will you take your hands off me?
(man whispering)
Man - No. Tell me.
Child - Please God.
Man - Tell me.
Child - I can't while you've got your hands on me.
(mumbling sound)
Man - Why don't you keep it in?
Child - Why? What are you going to do with me?
Man - I want some photographs, that's all.
Man - Put it in.
Child - Don't undress me, will you?
Woman - That's right, don't --
Child - It hurts me. I want to see Mummy, honest to God.
Man - Put it in.
Child - I'll swear on the Bible.
Man - Put it in, and hurry up now. The quicker you do this, the quicker you'll get home.
Child - I've got to go, because I'm going out with my Mamma. Leave me, please. Help me, will you?
Man - Put it in your mouth and you'll be all right.
Child - Will you let me go when this is out?
Man - Yes. the longer it takes you to do this, the longer it takes you to get home.
Child - What are you going to do with me first?
Man - I'm going to take some photographs. Put it in your mouth.
Child - What for?
Man - Put it in your mouth. (pause) Right in.
Child - I'm not going to do owt.
Man - Put it in. If you don't keep that hand down, I'll slit your neck. (pause) Put it in.
Child - Won't you let me go? Please.
Man - No, no. Put it in, stop talking.
Man - What's your name?
Child - Lesley.
Man - Lesley what?
Child - Ann.
Man - What's your second name?
Child - Westford. Westford.
Man - Westford?
Child - I have to get home before 8 o'clock. I got to get --(pause) Or I'll get killed if I don't. Honest to God.
Man - Yes.
(Quick footsteps of woman leaving room and going downstairs; then a click; then woman's footsteps coming upstairs; then eight longer strides)
Man - What is it?
Woman - I've left the light on.
Man - You 'ave?
Woman - So that -- (remainder of sentence unreadable)
(Child starts crying)
Child - It hurts me neck.
Man - Hush, put it in your mouth and you'll be all right.
Woman - Now listen, shurrup crying.
Child - (crying) It hurts on me --
Woman - (interrupting) Hush! Shut up. Now, put it in. Pull that hand away and don't dally and just keep your mouth shut, please.
Woman - Wait a bit, I'll put this on again. D'you get me?
Child - (whining) No, I -- (remainder of sentence unreadable)
Woman - Sh. Hush. Put that in your mouth. And again, packed more solid.
(whispered sentences, unreadable)
Child - I want to go home. Honest to god. I'll (further speech muffled but uninterrupted) -- before eight o'clock.
Woman - No, it's all right.
Man - Eh!
(Music commences, country-style tune followed by 'Jolly St Nicholas', during which various non-vocal noises can be heard; then tune 'The Little Drummer Boy' during which a voice speaks -unreadable
(Three loud cracks, systematic, even-timed)
(Music- 'The Little Drummer Boy' -- goes fainter)
(Footsteps)
(Sounds on tape cease)
View attachment 463955
Lesley Ann Downey, tied up.
What is your opinion about it?
Soppy_Cow
I'm one soppy cow!
[I don't know if i'm posting it on the right forum. If not - sorry for that.]
Moors murders - Wikipedia
This is the full Lesley Ann Downey tape transcript taken by Leonard Milner, a shorthand typist of the Supreme court in 1966. I didn't found anyone posting it on goregrish yet, so I decided to post it myself. The transcript was provided from (now deleted) Schadenfreude. blog.
The original tape will probably never be released to the public. I've tried to include as much information in this post as I could, but also to keep it short.
Here's a quote from Wikipedia of what happened:
"Brady and Hindley visited a funfair in Ancoats on 26 December 1964 and noticed that 10-year-old Lesley Ann Downey was apparently alone. They approached her and deliberately dropped some shopping they were carrying, then asked her help in taking the packages to their car, and then to Wardle Brook Avenue. At the house Downey was undressed, gagged, and forced to pose for photographs before being raped and killed, perhaps strangled with a piece of string. Hindley later maintained that she went to fill a bath for Downey and found her dead when she returned; Brady claimed that Hindley killed Downey. The following morning Brady and Hindley drove Downey's body to Saddleworth Moor, and buried her—naked with her clothes at her feet—in a shallow grave."
Transcript;
Man - This is track four.
Man - Get out of the fucking road.
Man - Get in the fucking basket.
(sound of door banging)
(crackling noise)
(footsteps-heavy)
(steps across the room and then a recording noise followed by blowing sound into the microphone)
(Footsteps)
Woman - (Voice quiet, unreadable)
(footsteps, light, walking across room; whispered conversation at the same time)
(footsteps)
(speech, distant, containing word 'upstairs'; then two footsteps)
Child - (screaming) Don't. Mum--Ah.
Woman - (whispering) Come on.
(footsteps)
Woman - (whispering) Shut up.
Child - (pleading) Oh, please.
Child - Oh. (then faintly) Help - oh.
Child - Help. (followed by gurgling noise)
Woman - Sh. Sh.
Woman - Shut up. Shut UP.
(Screams and gurgles)
Child - Oh. Oh. Oh. (child crying)
Woman - (whispering) Keep - and you'll be all right.
Woman - (whispering) Go on.
(Quick footsteps mounting stairs, then entering room)
(Child crying, muffled)
Man - (whispering) Here.
Woman - Hush, hush. Go on.
(woman speaking, unreadable)
(Child crying)
Woman - You are all right. Hush, hush. Put it in your mouth - hush and shift that hand.
(child crying)
Woman- Put it in your mouth and keep it in and you'll be all right.
Woman - Put it in, stop it.
Woman- If you don't--shh.
(child crying)
Woman - In your mouth. Hush, hush. Shut up or I'll forget myself and hit you one. Keep it in.
(Child whimpering)
Man - Put it in.
Woman- (Spoken quickly) Put it in.
Man - (speaks, but words unreadable except for the word 'hand')
(footsteps)
Man - Put it in. Keep it in. Stop it now. Stop it now.
Woman - I'm only doing this and you'll be all right.
Woman - Put it in your mouth. Put it in--in.
(further words spoken by the woman which are unreadable except for 'put it in')
Woman - Will you stop it, stop it.
(womans voice unreadable)
(Child whimpering)
Woman - Shut--
Man - Quick. Put it in now.
(Child whimpering)
(retching noise)
Man - Just put it in now, love. Put it in now.
(retching noise)
Child - (muffled) What's this in for?
Man - Put it in.
Child - Can I just tell you summat? I must tell you summat. Please, take your hands off me a minute, please, please-- Mummy--please.
Child- I can't tell you.
(Grunting)
Child - (in quick sequence) I can't tell you, I can't breathe. Oh.
Child - I can't--Dad-Will you take your hands off me?
(man whispering)
Man - No. Tell me.
Child - Please God.
Man - Tell me.
Child - I can't while you've got your hands on me.
(mumbling sound)
Man - Why don't you keep it in?
Child - Why? What are you going to do with me?
Man - I want some photographs, that's all.
Man - Put it in.
Child - Don't undress me, will you?
Woman - That's right, don't --
Child - It hurts me. I want to see Mummy, honest to God.
Man - Put it in.
Child - I'll swear on the Bible.
Man - Put it in, and hurry up now. The quicker you do this, the quicker you'll get home.
Child - I've got to go, because I'm going out with my Mamma. Leave me, please. Help me, will you?
Man - Put it in your mouth and you'll be all right.
Child - Will you let me go when this is out?
Man - Yes. the longer it takes you to do this, the longer it takes you to get home.
Child - What are you going to do with me first?
Man - I'm going to take some photographs. Put it in your mouth.
Child - What for?
Man - Put it in your mouth. (pause) Right in.
Child - I'm not going to do owt.
Man - Put it in. If you don't keep that hand down, I'll slit your neck. (pause) Put it in.
Child - Won't you let me go? Please.
Man - No, no. Put it in, stop talking.
Man - What's your name?
Child - Lesley.
Man - Lesley what?
Child - Ann.
Man - What's your second name?
Child - Westford. Westford.
Man - Westford?
Child - I have to get home before 8 o'clock. I got to get --(pause) Or I'll get killed if I don't. Honest to God.
Man - Yes.
(Quick footsteps of woman leaving room and going downstairs; then a click; then woman's footsteps coming upstairs; then eight longer strides)
Man - What is it?
Woman - I've left the light on.
Man - You 'ave?
Woman - So that -- (remainder of sentence unreadable)
(Child starts crying)
Child - It hurts me neck.
Man - Hush, put it in your mouth and you'll be all right.
Woman - Now listen, shurrup crying.
Child - (crying) It hurts on me --
Woman - (interrupting) Hush! Shut up. Now, put it in. Pull that hand away and don't dally and just keep your mouth shut, please.
Woman - Wait a bit, I'll put this on again. D'you get me?
Child - (whining) No, I -- (remainder of sentence unreadable)
Woman - Sh. Hush. Put that in your mouth. And again, packed more solid.
(whispered sentences, unreadable)
Child - I want to go home. Honest to god. I'll (further speech muffled but uninterrupted) -- before eight o'clock.
Woman - No, it's all right.
Man - Eh!
(Music commences, country-style tune followed by 'Jolly St Nicholas', during which various non-vocal noises can be heard; then tune 'The Little Drummer Boy' during which a voice speaks -unreadable
(Three loud cracks, systematic, even-timed)
(Music- 'The Little Drummer Boy' -- goes fainter)
(Footsteps)
(Sounds on tape cease)
View attachment 463955
Lesley Ann Downey, tied up.
What is your opinion about it?
Soppy_Cow
I'm one soppy cow!
Loopy Longford was an advocate for Hindley. He said that it (sorry, but that creature is an it) was under the influence of Brady and that it was inhumane to keep it in prison because of that. What could have helped its case was telling the police where Keith Bennett's body was buried. But it wouldn't do that. And why? Because there was no remorse. Reading that transcript, poor Lesley Ann Downey, despite being just 10 and feeling such terror, was able to articulate quite clearly that she didn't agree with what they were doing and just wanted to go home. Those cunts never showed an ounce of remorse. I am beyond happy that Brady was force-fed. I only wish the public had been let loose on those cunts!
Disturbing..[I don't know if i'm posting it on the right forum. If not - sorry for that.]
Moors murders - Wikipedia
This is the full Lesley Ann Downey tape transcript taken by Leonard Milner, a shorthand typist of the Supreme court in 1966. I didn't found anyone posting it on goregrish yet, so I decided to post it myself. The transcript was provided from (now deleted) Schadenfreude. blog.
The original tape will probably never be released to the public. I've tried to include as much information in this post as I could, but also to keep it short.
Here's a quote from Wikipedia of what happened:
"Brady and Hindley visited a funfair in Ancoats on 26 December 1964 and noticed that 10-year-old Lesley Ann Downey was apparently alone. They approached her and deliberately dropped some shopping they were carrying, then asked her help in taking the packages to their car, and then to Wardle Brook Avenue. At the house Downey was undressed, gagged, and forced to pose for photographs before being raped and killed, perhaps strangled with a piece of string. Hindley later maintained that she went to fill a bath for Downey and found her dead when she returned; Brady claimed that Hindley killed Downey. The following morning Brady and Hindley drove Downey's body to Saddleworth Moor, and buried her—naked with her clothes at her feet—in a shallow grave."
Transcript;
Man - This is track four.
Man - Get out of the fucking road.
Man - Get in the fucking basket.
(sound of door banging)
(crackling noise)
(footsteps-heavy)
(steps across the room and then a recording noise followed by blowing sound into the microphone)
(Footsteps)
Woman - (Voice quiet, unreadable)
(footsteps, light, walking across room; whispered conversation at the same time)
(footsteps)
(speech, distant, containing word 'upstairs'; then two footsteps)
Child - (screaming) Don't. Mum--Ah.
Woman - (whispering) Come on.
(footsteps)
Woman - (whispering) Shut up.
Child - (pleading) Oh, please.
Child - Oh. (then faintly) Help - oh.
Child - Help. (followed by gurgling noise)
Woman - Sh. Sh.
Woman - Shut up. Shut UP.
(Screams and gurgles)
Child - Oh. Oh. Oh. (child crying)
Woman - (whispering) Keep - and you'll be all right.
Woman - (whispering) Go on.
(Quick footsteps mounting stairs, then entering room)
(Child crying, muffled)
Man - (whispering) Here.
Woman - Hush, hush. Go on.
(woman speaking, unreadable)
(Child crying)
Woman - You are all right. Hush, hush. Put it in your mouth - hush and shift that hand.
(child crying)
Woman- Put it in your mouth and keep it in and you'll be all right.
Woman - Put it in, stop it.
Woman- If you don't--shh.
(child crying)
Woman - In your mouth. Hush, hush. Shut up or I'll forget myself and hit you one. Keep it in.
(Child whimpering)
Man - Put it in.
Woman- (Spoken quickly) Put it in.
Man - (speaks, but words unreadable except for the word 'hand')
(footsteps)
Man - Put it in. Keep it in. Stop it now. Stop it now.
Woman - I'm only doing this and you'll be all right.
Woman - Put it in your mouth. Put it in--in.
(further words spoken by the woman which are unreadable except for 'put it in')
Woman - Will you stop it, stop it.
(womans voice unreadable)
(Child whimpering)
Woman - Shut--
Man - Quick. Put it in now.
(Child whimpering)
(retching noise)
Man - Just put it in now, love. Put it in now.
(retching noise)
Child - (muffled) What's this in for?
Man - Put it in.
Child - Can I just tell you summat? I must tell you summat. Please, take your hands off me a minute, please, please-- Mummy--please.
Child- I can't tell you.
(Grunting)
Child - (in quick sequence) I can't tell you, I can't breathe. Oh.
Child - I can't--Dad-Will you take your hands off me?
(man whispering)
Man - No. Tell me.
Child - Please God.
Man - Tell me.
Child - I can't while you've got your hands on me.
(mumbling sound)
Man - Why don't you keep it in?
Child - Why? What are you going to do with me?
Man - I want some photographs, that's all.
Man - Put it in.
Child - Don't undress me, will you?
Woman - That's right, don't --
Child - It hurts me. I want to see Mummy, honest to God.
Man - Put it in.
Child - I'll swear on the Bible.
Man - Put it in, and hurry up now. The quicker you do this, the quicker you'll get home.
Child - I've got to go, because I'm going out with my Mamma. Leave me, please. Help me, will you?
Man - Put it in your mouth and you'll be all right.
Child - Will you let me go when this is out?
Man - Yes. the longer it takes you to do this, the longer it takes you to get home.
Child - What are you going to do with me first?
Man - I'm going to take some photographs. Put it in your mouth.
Child - What for?
Man - Put it in your mouth. (pause) Right in.
Child - I'm not going to do owt.
Man - Put it in. If you don't keep that hand down, I'll slit your neck. (pause) Put it in.
Child - Won't you let me go? Please.
Man - No, no. Put it in, stop talking.
Man - What's your name?
Child - Lesley.
Man - Lesley what?
Child - Ann.
Man - What's your second name?
Child - Westford. Westford.
Man - Westford?
Child - I have to get home before 8 o'clock. I got to get --(pause) Or I'll get killed if I don't. Honest to God.
Man - Yes.
(Quick footsteps of woman leaving room and going downstairs; then a click; then woman's footsteps coming upstairs; then eight longer strides)
Man - What is it?
Woman - I've left the light on.
Man - You 'ave?
Woman - So that -- (remainder of sentence unreadable)
(Child starts crying)
Child - It hurts me neck.
Man - Hush, put it in your mouth and you'll be all right.
Woman - Now listen, shurrup crying.
Child - (crying) It hurts on me --
Woman - (interrupting) Hush! Shut up. Now, put it in. Pull that hand away and don't dally and just keep your mouth shut, please.
Woman - Wait a bit, I'll put this on again. D'you get me?
Child - (whining) No, I -- (remainder of sentence unreadable)
Woman - Sh. Hush. Put that in your mouth. And again, packed more solid.
(whispered sentences, unreadable)
Child - I want to go home. Honest to god. I'll (further speech muffled but uninterrupted) -- before eight o'clock.
Woman - No, it's all right.
Man - Eh!
(Music commences, country-style tune followed by 'Jolly St Nicholas', during which various non-vocal noises can be heard; then tune 'The Little Drummer Boy' during which a voice speaks -unreadable
(Three loud cracks, systematic, even-timed)
(Music- 'The Little Drummer Boy' -- goes fainter)
(Footsteps)
(Sounds on tape cease)
View attachment 463955
Lesley Ann Downey, tied up.
What is your opinion about it?
Reality.
SoreWreckedum
Rookie
Wow the English are so polite, it didn't even feel dangerous. Oh those Brits.
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